Anxious Sound

Albums of the Year

2017 / 2016 / 2015 / 2014 / 2013

The best albums of 2014
Who's gonna empty me out / In the lake in the heart of the valley?

— “Bells of Paonia” by The Fresh & Onlys


11

Love
Amen Dunes
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10

Barragan
Blonde Redhead

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09

First Demo
Fugazi

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07

No Energy
Unwound
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06

Black Hours
Hamilton Leithauser

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05

Teenage (OST)
Bradford Cox
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04

Cassette
Viet Cong

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03

House of Spirits
The Fresh & Onlys
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02

Under Color of Official Right
Protomartyr

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01

For The Recently Found Innocent
White Fence

White Fence is the music of Tim Presley, a California-based musician who played previously in the hardcore punk band The Nerve Agents and the more psychedelic leaning Darker My Love. As White Fence, Presley has been incredibly prolific, releasing six "studio" albums in the span of only four years (seven if you include his collaboration with Ty Segall, HAIR; eight if you further include the amazing WHITE FENCE LIVE IN SAN FRANCISCO). The sound might be typecast as lo-fi, psychedelic, folk-rock, and/or garage-rock. (The word "studio" appears in quotes above because Presley reportedly self-recorded all but his latest album in his apartment.) A roll call of its influences might include, but certainly not be limited to: Syd Barrett's solo work, The Monkees, The Byrds, Count Five, The Electric Prunes, and Gram Parsons. I hear reminders, too, of many not-so-distant acts, like GoGoGo Airheart. White Fence might recall these and other similar acts, but it is not derivative. Presley takes his myriad influences and fuses them with his own distinct imagination and incredible songwriting ability to create something unique and unharnessed to any one sound or genre. White Fence is undeniably his.

FOR THE RECENTLY FOUND INNOCENT seems to build off the momentum of the wonderfully raucous full-band sound caught on LIVE IN SAN FRANCISCO, and that was hinted at with HAIR and last year's CYCLOPS REAP. Segall mixed FOR THE RECENTLY FOUND INNOCENT, and his exterior input complements these songs nicely and gives them added presence. It still sounds like music made by a man alone in a room, but the room feels larger and it's filled with new things for him to play with. The result is Presley's most fully-dressed album to date, but one that, thankfully, doesn't distance itself from the early sparse, lo-fi offerings that introduced White Fence.