fatherhood / abandoned places / DIY / leaves turning / Memories, Dreams, Reflections / early evening light / minimalism / Dischord Records / Galway Kinnell / typography / revision / Low / “your imagined self, your self in space” / Modernism / order / Tarantula / The Times They Are A-Changin' / “I photograph to find out what something will look like photographed” / grid systems / William Eggleston / Jasper Johns / substance / nonfiction / This Land Is Your Land / bird songs / the unexplained / bodies of water / Stephen Shore / Dick Van Dyke as Bert / Meat Is Murder / used book stores / independent music stores / There Will Be Blood / “the magic properties of recorded noise” / The Asch Recordings / art forms / open fields / Joe Hill (1959) / coincidence / stillness / In On The Kill Taker / Blood Meridian / iced tea with lemonade / Waldo Jeffers had reached his limit / double Oswalds in Dallas / DONT LOOK BACK / Lemeul Eugene Lucas / anxious sound / William Carlos Williams / discovery / KQED Equals Volvo / Give Them Rope / James Joyce / conspiracies / Dr. Sax / ghost stories / ghost signs / baseball / nerves / New Plastic Ideas / simplicity / memory
“I spoke to no-one: none to me.”
My writing has appeared in The Worcester Review and Ibbetson Street Magazine, as well as two published books of poems: Floating Body, Worried Mind (2018) and Impossible River (2015)
My photographs have appeared on numerous digital publications and were printed in two editions of The Design Hotels Book.
Photographs of Watertown
T. ROSS KELLY GALLERY